2019.01.25 Eric Bouvet

Personal Best vol.11 | Eric Bouvet

Eric Bouvet

Eric Bouvet 是一名法国摄影师，生于 1961年。他在巴黎Estienne 学院学习艺术与应用图形技术，并于1981年开始自己的摄影艺术生涯。
他对于摄影的兴趣，其实早在8岁时就开始了；那一天他正在看电视转播，见到的那只脚印正是人类踏上月球迈出的第一步。传播时的那种信息直达的震撼、以图片记录历史瞬间的那种力量——这些似乎成了他过去三十年来足迹踏遍120 多个国家、用镜头记录世界变化的主要动因。
上世纪80年代，Eric Bouvet 在伽马图片社担任摄影师。从1990年起，他成为一名自由摄影师。
1985年，他拍摄的哥伦比亚阿尔米罗火山喷发作品，让他赢得了国际同行的关注。后来，他的作品涉及最近几年一些重要的国际性冲突，包括在阿富汗、伊拉克、伊朗、黎巴嫩、车臣、苏丹、索马里、南斯拉夫、以色列、北爱尔兰、库尔德斯坦、安哥拉、苏里南、卢旺达和利比亚等国。
他的作品也涵盖一些重大的国际事件，比如霍梅尼葬礼、中国的天安门群众集会、柏林墙被推倒、捷克天鹅绒革命、纳尔逊•曼德拉出狱和奥运会。
他还拍摄了许多社会题材类作品，比如俄罗斯监狱、航母上的年轻士兵、法国警察在市郊巡逻、法国最后的煤矿工人、儿科医院的癌症儿童等。
过去三年来，他一直在潜心创作两部长篇纪实题材，主题分别为“爱”与“和平”。
他的作品曾发表于多家国际著名杂志，比如《时代》、《生活》、《新闻周刊》、《巴黎竞赛》、《明星》、《星期日泰晤士杂志》、《纽约时报》杂志、《明镜周刊》和《法国世界报》。
他还与其他人协作，共同参与了由联合国、多个非政府组织和慈善组织（“无国界医生组织（MSF）”、国际红十字委员会、“世界医生组织（MDM）”和“反饥饿行动（ACF）”）举办的摄影活动。
Eric Bouvet 曾五次荣膺世界新闻摄影奖，获得Perpignan 摄影艺术节的“国际摄影奖”、战地记者Bayeux 奖、巴黎竞赛奖和摄影技术诞生150 周年庆典金奖各一次。

Photography a way of life, a constant search, a lifetime investment…

I’m called as a photojournalist because I’ve covered numerous conflicts for important magazines such as Life, Newsweek, Time, Stern, The Sunday Times magazine, Paris Match, etc… But, above all, I love photography itself, this could be street photography, a documentary series, a studio portrait, personal work or a breaking news story. The eye must be curious, it’s good for the mind. Discovering others through my camera allows me to better understand, to accept, to share what is truly photography.

X100

The X100 was my first Fujifilm camera, used in August 2011 the fall of the Kadhafi regime in Tripoli. After a crazy day during the taking of the Dictator’s barracks, I spent a calm day making a few images just for pleasure. The international press was gathered in a nice hotel, a real circus…a reflection through a window, an instinctive image without thinking, the first impression is the good one, you only have to push the button. Technically the camera takes care of everything in aperture priority mode.

X-T1 & XF18-55mmF2.8-4

New York, during a glacial day, a hot tea would be more than welcomed! Immediately after entering to the coffee shop a vision arised, a fully animated Statue of Liberty 🙂 The woman moved her hands a lot, I sat down at the opposite her showing my camera, it didn’t bother her and I waited a few seconds to capture the right moment. Then there was nothing left to do but drink my tea with the satisfaction of having made a successful little image.

X-Pro2 & XF16-55mmF2.8

Beirut, a story about religion, not always easy to manage- but easy photos do not interest me – This one I was looking for, showed half the frame in a mirror. I like these kinds of images where one gets lost. And the camera – like all those proposed in the X Series lineup – allows me to be concentrated on the point of view, the frame, the intention, and, in short, not to worry if my settings are good, because I know the camera, I trust it. It saves precious time.

X-Pro1 & XF35mmF1.4

Maiden, Kiev. A people’s revolution against the president – who fled that same day – but that’s cost a high price of 70 deads. A difficult day in the middle of guns shooting, thinking about staying alive and thinking at the same time to make the best pictures possible. It’s sure that my two X-Pro cameras equipped with a 23mm and a 35mm are perfect for conflict photography. I’m light, rapid, discrete and mobile! These images were awarded by a “Photojournalist Frontline Club Award.”

X-Pro1 & XF56mmF1.2

Kiev. A people’s revolution gathering on Maiden Square. The XF56mmF1.2 lens was the perfect lens for this image with an f/8 aperture. With enough depth of field so that everything seems to be the same plane. Another image full of information where one has to take time to understand it.

GFX 50S

Mosul. Iraq. The Iraqi armed forces surround the last bastion of ISIS. It was street to street, building to building, fighting. It was dark but by pushing the ISO to 12800, hand held and a slow shutter speed (1/15s), the camera captured the sparks. This type of image should be taken very quickly because you must clear out for fear that the snipers of the other side can locate the shooter and rocket the location. I bring the GFX everywhere because it’s not any bigger than a DSLR and has exceptional quality. It’s a real field camera.

GFX 50R

The Champs Elysées Avenue. France is the world champion of soccer (Football). In the noisy crowd, happy, excited, the airplanes pass over rapidly deploying the national colors…barely the time to turn around and I push the shutter release by instinct. As with the X Series cameras, a stolen picture, a flag that flaps right in the middle. The GFX 50R is definitely a camera to carry with you anywhere in any situation…

X-Pro2 & XF35mmF1.4

The Greek-Macedonian border. The migrants are stuck behind barbed wire, in the middle of winter, in the cold weather and the mud, lacking hygiene and food, a horrible situation. The kind of place where one has to be careful to respect the dignity of the people who are fighting to keep it as much as possible. I like to work discretely, in a respectful manner, not aggressively. The X Series cameras suit me well for this manner of working.

X-Pro2 & XF23mmF2

This is typical of a stolen image, the pleasure of an instant, of composition, an instinct frame, sometimes everything falls at the right place, pleasurable photography exists! Everything is there, the decor exists, the nature, the elements, the people and the action, I don’t take anything because everything was given to me.

X-T2 & XF50mmF2, XF23mmF2

For one week I had the honor to be in the middle of a Swiss philharmonic orchestra working to achieve excellence. It’s communicative, I was completely transported into this universe. I only had to observe, reflect, concentrate to be aligned with them, within the same spirit. The X Series, light, small, with its silent shutter, permitted me to sneak and slip from one podium to another, from backstage to the artists dressing rooms. It was a joy to photograph, to experience the magical moments.

My cameras are like hyphens to access these unbelievable, strange, magical, exceptional situations, to meet marvelous, admirable, surprising and extraordinary people.

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