Magali Delporte (France)

“저의 경력은 1990 년대 후반 런던에서 The Independent 와 The Times에서 일하면서 시작되었습니다. 저는 뉴스, 여행, 인물 사진을 다루고 심지어 잠복근무까지 했었죠. 저는 현재 그 신문과 파이낸셜 타임즈, 르 몽드, 레 에코, 정치인, CEO 및 문화 인물 사진 일을 하고 있습니다.
2001 년, 저는 여성 포토저널리스트 최초로  Unseen, Sport Without Sight프로젝트로 Canon의  Visa pour l’ Image 상을 수상했습니다. 2006 년 Elle Au Pluriel은 프랑스 북부의 한 도시의 여성을 촬영한 50장의 인물사진이었습니다. 2016 년에 총리실에서 비슷한 프로젝트에 대한 의뢰를 받아, Hotel de Matignon에 전시했습니다. 나의 최신 프로젝트 인“M”은 어머니 (Mother)를 의미하는 자화상입니다. “

TESTIMONIAL

“In recent years, photojournalism has undergone many changes and, in 2017, I decided to shift perspective too. I bought a Fuji GFX50s with two lenses. After years of using reflex cameras, it felt like a luxury to handle a medium format and the opportunity to revisit the way I shoot portraits. Now, the GFX 50S is my ally when I’m photographing my subjects.
Its sharpness is amazing. Using the Fuji has made me more precise and straight to the point, I often use a tripod which felt cumbersome before. My relationship with the sitter is more intimate, thanks to the back screen and I shoot less images.Buying a medium format for someone whose work is mostly commissioned by newspapers and magazines was a financial gamble but it’s paid off. Soon after I bought my Fuji, I photographed Bernard Arnault of LVMH for the Financial Times. He liked the photograph so much that he bought it for the cover of Forbes magazine. Other people have since done the same and I think they recognise the extra quality that the GFX brings to the images.In my handbag, I like to have a Fuji X-T2. It’s the camera I use for family photographs and outings.
In my handbag, I like to have a Fuji XT2. It’s the camera I use for family photographs and outings.”

GALLERY