Piet Van den Eynde
Piet Van den Eynde is a Belgian freelance photographer, author and trainer, specializing in travel portraiture. He likes to work with flash to create striking environmental portraits in remote locations, whether it’s the Mongolian Altai mountains or the Omo river valley in Southern Ethiopia. When he’s not traveling, he’s writing books and creating tutorials about photography, lighting and image editing. In his spare time, he likes to reverse engineer the lighting setups of popular tv-shows or play Monopoly with – and get beaten by – his son Noah.
I’ve been a dedicated Fujifilm user for over a decade now, ever since the release of the original X-Pro1. Interestingly, my shift to Fujifilm cameras was primarily driven by their compact size. These cameras became my ideal travel companions, and I consistently carried two of them with me. One was equipped with a wide-angle zoom lens, typically the XF10-24mmF4 R OIS WR, and the other with a fast prime lens, usually the XF56mmF1.2 R WR. I cherished how this setup offered remarkable versatility while not significantly adding to the weight, unlike my previous setup, which involved a bulky DSLR with a heavy 24-70mm zoom lens.
The Fujifilm setup allowed me to capture wider vistas and environmental portraits and get up close for more immersive shots. Additionally, when using the fast prime lens, I could create beautiful background bokeh, effectively blurring distracting elements. At the time, I did most of my traveling by bicycle, so weight and size were crucial considerations for me.
One notable advantage of having two cameras at hand was the ability to swiftly capture a photo when I encountered a highly photogenic subject. It was reassuring to still have one camera ready for action, especially when someone picked up one of my cameras, like the X-E1 in this instance, and started inspecting it.
These are still some of my favourite images that I took with the X Series system. I used one of them as the cover of my book ‘101 Tips for Travel Photography’ and the other won me an airplane ticket in a travel photography contest!
The presence of both a wide-angle zoom and a prime lens provided me with the flexibility to seamlessly switch between capturing environmental scenes and more traditional portraits.
In 2016, I had the opportunity to work with a preproduction GFX 50S, which I brought along to India. While the camera exceeded my needs and perhaps even my photographic capabilities, I was instantly captivated. I vividly recall peering through the viewfinder and marvelling at the incredible level of detail in the 50-megapixel files produced by the larger-than-full-frame sensor. While the GFX Series cameras were larger and more substantial than my X Series companions, within the context of medium format systems, they were relatively compact, fast, lightweight, user-friendly, and even budget-friendly compared to other options.
Over the next years, my GFX cameras would travel with me to Ethiopia and Mongolia, to name but a couple of destinations.
Fast forward six years, through four model iterations (GFX 50R, GFX100, GFX100S, and GFX50S II), and a burgeoning lens line-up, Fujifilm introduced the GFX100 II. It offers twice the resolution of the original GFX50 and almost three times the frame rate. It also boasts an improved image stabilization system and an even quicker, AI-powered autofocus compared to the original GFX100. This weather-sealed powerhouse will feel equally at home in the studio, in harsh landscapes, as on urban streets. I’ve taken my GFX cameras to far-flung destinations such as Papua New Guinea, Thailand, Cambodia, and India and inevitably after a day of working, I was usually tired while my equipment was still fresh and fit.
On the GFX-system, my two-camera setup remains comparable to what I did with the X-system: one body with a fast prime lens, invariably the GF110mmF2 R LM WR, and another with a wide zoom lens. Initially, I used the GF32-64mmF4 R LM WR, but with the introduction of the superb GF20-35mmF4 R WR lens, it’s now a permanent fixture on one of my camera bodies.
For my maiden excursion with the GFX100 II in Rotterdam, I relied heavily on the GF20-35mmF4 R WR lens. This lens is indispensable for any GFX user seeking to capture wide-angle shots, be it urban vistas, landscapes, or architectural marvels.
Ever since the GFX Series debuted, photographers have been urging Fujifilm to create a Tilt/Shift lens for the system. They took their time, but the outcome was well worth the wait. The new GF30mmF5.6 T/S lens is incredibly sharp, to the point where I could probably use it for shaving.
During my city trip to Rotterdam, I grew fond of the flexibility of the GF100-200mmF5.6 R LM OIS WR lens for capturing tighter, architectural shots. When it comes to portraits, I lean toward the wider aperture of the GF110mmF2 R LM WR, but for architectural photography, where I typically employ narrower apertures, the GF100-200mmF5.6 R LM OIS WR proves to be a valuable tool.
One of the reasons for embracing larger sensor cameras is their ability to infuse a three-dimensional quality into images, particularly when combined with large aperture lenses. The new GF55mmF1.7 R WR lens excels in this regard. As seen in the images I captured of videographer Matthias, the more than two-stop increase in aperture effectively softens busy backgrounds. This lens presents an enticing choice for wedding photographers or anyone shooting portraits in bustling environments.
The GF55mmF1.7 R WR’s large maximum aperture combined with the large sensor of the GFX lets you throw even the busiest of backgrounds into a pleasing blur, allowing you to focus on your subject.
The new GFX100 II, in my opinion, strikes the perfect balance between the GFX100S and the original GFX100. It’s compact yet powerful when the need arises and is fully expandable with the incredibly practical EVF-TL1 Tilt Adapter and an optional vertical battery grip. From the moment I got my hands on the preproduction unit, it was clear to me that Fujifilm had another winner on their hands — one that I’ll be more than happy to take with me on my upcoming trips to Thailand and Cambodia early next year.