Inside the bag of the X-Photographer -Max De Martino
Max De Martino
Max De Martino secara profesional terlibat dengan dengan gambar-gambar sejak tahun 1990, sebagai direktur gambar langsung untuk proyeksi pada layar-maksi selama tur penyanyi Italia Eros Ramazzotti di Eropa.
Dia adalah juru kamera selama wawancara dengan Madonna, Bruce Springsteen, Lou Reed dan setelah itu ia terlibat dengan pengarahan video selama tur Pino Daniele, Antonello Venditti dan Vasco Rossi
Sebagai pelopor web yang ia ikuti pada tahun 1996 tinjauan kolom internet Apple “Applicando“. Selama hampir sepuluh tahun ia mengkoordinasikan perusahaan dengan 120 toko-toko sebagai Manajer Penjualan.
Dia telah memotret selama 26 tahun. Dia bekerja untuk kampanye pers seperti Fastweb dan Pininfarina dan memotret beberapa portret penulis-penulis Italia dan penlis-penulis asing. Foto-fotonya telah dipilih untuk mengilustrasikan beberapa ulasan dan buku-buku para penulis penting seperti Wilbur Smith. Dia adalah anggota Asosiasi untuk Fotografer Profesional “Tau Visual” dan membaginya kode etik dan suasana perilaku. Dia bekerja di dalam dan di luar Italia terlibat dengan klien swasta dan asing yang berinteraksi dengan mereka dengan bahasa Inggris yang fasih.
Dia menciptakan dan telah mengkoordinasikan selama 14 tahun situs web yang ditujukan kepada Tiziano Terzani dan pada tahun 2006 mengedit buku ”Dentro di noi , parlano i lettori di Tiziano Terzani“ yang dipublikasikan oleh Tea, Longanesi Group. Dia bekerjasama dengan beberapa LSM seperti Bambini Nel Deserto dan L’Albero Della Vita dan menyelenggarakan kursus fotografi dasar dan lanjutan. Salah satu proyek yang lebih memuaskan dia, adalah kursus yang diselenggarakan untuk orang tua antara usia 75 dan 94 tahun. Berkat karyanya ini ia menerima dukungan dari Regione Lombardia, dari Provincia di Milano dan dari semua distrik dan enam pameran yang tertarik yang telah ditetapkan.
Secepat dia dapat mengejar kereta atau pesawat terbang, mengambil sepedanya, mobilnya atau sepeda motor BMW GS tuanya dan melakukan perjalanan. Ia mengunjungi 27 negara dan pada bulan Juni 2008 dia sebagai fotografer barat pertama yang memiliki pameran tunggal di Irak, Daerah Kurdistan. Kemudian pada pameran “No Ears” telah diberikan ke Universitas Erbil (Ibukota Kurdistan Irak), di mana masih terekspos.
When they asked me to prepare an article for the international Fujifilm blog and to talk about what I kept in my camera bag, I had two contrasting emotions. The first said, “Ah cool! I’m a lucky guy!”. The second, more concrete, said “Yes, great.. but I use completely different equipment according to what I must photograph. And concerning bags and backpacks, I have at least five…”
Weighing them up with my interviewer, I asked him if I could tell you about an event which I always like to hold: an off-camera flash management workshop in partnership with one of the most important photography shops in Milan; New Old Camera. My proposal was accepted immediately. Thus, here I am talking to you about what I carry around if I have to shoot in a situation where I have to recreate the light that interests me mixing it with the ambient light.
First of all, I have not mentioned everything which is complementary and absolutely necessary for a fashion or lifestyle shoot outside of a traditional photography studio; the stands, tripods and light modifiers that, alone, occupy a big cart and much of of the trunk in the car.
Instead, I will concentrate on the equipment on a purely technological side: cameras, lenses, flashes and triggers.
Let’s start with backpack no.1:
Firstly, the bag: one of the best purchases in recent years, a ThinkTank Airport Essentials. The only one which you can always carry on board in an airplane even when there is no more space in the overhead. Its dimensions are small enough to allow it to be placed under the seat in front of you. And the capacity is extraordinary … look what it can hold…
- 1 Fujifilm X-Pro2
- 1 Fujifim X100T
- 1 XF50- 140 f2.8 (a lens which I love and which is very suitable when shooting in not static situations)
- 1 XC55-230 f4.5-6.3 (an underestimated lens but, with the right light, can give a lot of satisfaction – brought just to show its quality)
- 1 WCL100 and TCL100 (two inseparable companions of the extraordinary X100T)
- 1 XF 35 f2 (one of my preferred lenses over the past few years)
- 1 Multiplier 1,4x (helpful if I need lens compression)
- 1 XF56 f1.2 (a lens which every lover of portraits needs to have)
- 1 XF10-24 (useful for wide field pictures)
- 1 Flash Fujifilm EF-42 TTL
- 1 TTL Cable (short and long)
- 1 Cactus V6 Trigger (3 pieces to control two flashes managing the power remotely in manual mode)
- 1 Wein Sync Link IR Trigger (perfect to control each flash that works in “slave” mode even on very short shutter speed)
- 1 Sb-700 and a Sb-910 flashes (only survivors of my Nikon kit from years ago)
- Three SanDisk UHS-II 64Gb SD-Card (the most reliable I’ve ever used), plus three spare memory cards
- Various batteries for the cameras
- 12 additional rechargeable AA batteries
- 1 Rogue FlashBender flash reflector (great for spreading the light of the speedlights)
- 2 belt hooks (since I tried them, I cannot stop)
- 1 flash bracket which allows the trigger and flash to be mounted to the stand
- 1 Color Checker Passport (perfect to balance the white in mixed light)
- CTO gels for the speedlights
- accessories for the cleaning and various materials
The second backpack was dedicated to the most powerful strobe, able to overpower of the sun – recreating the most suitable light from scratch.
This backpack consisted of:
- 2 Profoto B1 (500w)
- 4 Li-On Batteries
- 1 AC adapter
- 1 Car charger
- 1 AirRemote Trigger to manage the power and shoot remotely
- 1 OCF ring to mount accessories such as softboxes or portable beauty dishes
- 1 OCF grids kit
- 1 Kit of colored gels
- 1 barndoor kit
- 1 Collapsible 24″ Beauty Dish
- 1 Power adapter for foreign countries (I never take it off the bag because I don’t want to be without it when I need it)
A portion of the material contained in these two backpacks is not even used, but it is always better to have a few more pieces present at the time of the shooting.
The workshop was developed in two sessions of twenty people in the morning and the same number in the afternoon. We initially shot with the X-Pro2 and the EF-42 using TTL assisted by the cables for synchronization.
Then we went on to use the Profoto B1 managing the power manually combined with the Fuji X100T that can sync up to 1/2000 in this configuration by starting the shot with IR trigger.
With regards to HighSpeedSync – I am waiting in anticipation for the arrival of the new EF-X500 flash scheduled to be released soon. This will finally allow me to shoot up to 1/8000 on the X-Pro2!
After the X100T, was the return of the X-Pro2 combined with the old Nikon flashes to achieve a portrait with a fake sunset behind the model.
The day was very fruitful with a lot of positive feedback from the participants. The flash light is a creature that one needs to know how to tame to be able to make it natural and bend it to our needs… When you can pull it off, the outcome is extraordinary!
Thank you for your patience if you have been reading until this point and I hope to return to be the new host of Fujifilm’s blog!
Max De Martino