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21.08.2019 Brian Lloyd Duckett

Impression on GF50mmF3.5 R LM WR

Brian Lloyd Duckett

Brian Llyod Duckett (“Duck” pour ses amis) est un photographe documentaire, de voyage et de rue ; il dirige les ateliers StreetSnappers et TravelSnappers. Il est également associé dans une entreprise de photographie commerciale, réalisant des reportages pour des rapports annuels d’entreprise, des campagnes publicitaires et autres supports marketing. Mais sa véritable passion a toujours été la photo de rue.

L’intérêt de Brian pour la photographie a commencé à l’école où il avait accès à une chambre noire, avec l’encouragement d’un grand professeur d’art (merci Mr Freear) et une ferme conviction que les filles seraient plus attirées par « le gars avec l’appareil ». Sa première photo publiée dans un journal à l’âge de 15 ans exposait un chien mort dans une poubelle.

Brian anime des ateliers de photographie de rue et de voyage au Royaume-Uni et dans des villes européennes telles que Lisbonne, Venise et Prague – d’autres villes suivront. Les ateliers qu’il mène se font par petits groupes, ou individuels, ou sous forme de mentorat. Il enseigne en tant que conférencier invité en licence photo, conférencier également et juge dans des clubs photo à travers le Royaume-Uni.

Son premier livre, « Mastering Street Photography », est devenu un best-seller et le suivant – « 52 Assignments : Street Photography » – va sortir (tous deux publiés chez Ammonite Presse). Il écrit aussi pour des blogs et des magazines de voyage et de photo.

En dehors de la photographie, les passions de Brian pour le tennis et la voile compensent presque son penchant pour tout ce qui est italien – la nourriture et le vin.

My ‘go to’ focal length for street photography has always been somewhere between 18mm and 24mm (in APS-C terms), so I was very interested to get my hands on the new GF50mmF3.5 R LM WR (40mm equivalent) FUJINON lens for the GFX cameras.

For a medium format lens, wow – this is small! I love the proportions – it just feels right on my GFX 50R body. It’s light, well-proportioned and nicely balanced. The lens comes with a hood which doesn’t protrude too much, helping keep everything discreet and low key. It feels reassuringly chunky and solid and able to withstand the rigours of life on the street. Overall, the form factor is ideal and just about right for street shooting.

So what else makes this lens a good choice for street? First of all, it’s weather sealed; it’s great not to have to worry about water ingress when you’re out shooting in all conditions.

Then there’s the ability to set the aperture ring to the ‘C’ (command) position, using one of the command dials instead of the lens ring to set the aperture, which is great when you need to make fast adjustments. Most of my shooting is done in aperture priority but if I need to change to shutter speed priority I can just flick the aperture ring to the ‘A’ position (which it locks into). Whatever the setting, the exposure values appear in the viewfinder or on the LCD screen, which is useful.


The aperture ring itself is satisfsyingly ‘clicky’ and tactile – and it’s reassuringly stiff so it’s difficult to change the setting by mistake; you can set the aperture value in 1/3 steps, which I find helpful, particularly in tricky metering conditions. The focus ring is smooth and nicely damped (and therefore not prone to moving by accident) – great for zone focusing.


With a 62mm filter thread, it’s compatible with lots of my existing filters and rings – another added bonus.

But what about that angle of view? Is it too ‘long’ for street? No, not at all, and I found that I very quickly warmed to it. The angle of view is pretty much what the human eye sees, which I think lends a ‘real life’ perspective to the final image.


In terms of performance, and whilst this isn’t a ‘technical’ review, I must say that centre to edge sharpness is good, as is contrast across the aperture range. At the widest aperture, F3.5, there’s a pleasing amount of bokeh, making this lens a good choice for street portraits. The lens focuses quickly and quietly, even in low light – another big plus for me.


A lot of what I shoot on the streets is more what you would call urban landscape photography – where the buildings and the wider environment take centre stage and where people are less significant – and I found myself achieving the right composition in-camera rather than needing to crop in post-production


This is a really versatile lens which, for shooting on the streets, is a perfect match for the GFX50R (or 50S) and the angle of view is a great compromise between the 45mm and 63mm alternatives. I can see this becoming part of my everyday kit for travel and documentary photography as well as for street.