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Robert Falconer (Canada)

A lifelong storyteller and multidisciplinary communications professional, Robert began his early career primarily as a screenwriter—developing stories, penning scripts, and pitching for television series such as Star Trek: The Next Generation, its subsequent spinoffs, and other series. During this period of his life, his childhood passion for the art and science of photography simultaneously emerged as part of his suite of storytelling skills. His early fluency in the language of cinema, coupled with a universal aptitude for creative conceptualization and visualization, have thus helped him to both recognize moments that tell a story within a single photographic frame. A member of the International Cinematographer’s Guild 669, Robert has produced stills for motion pictures such as The Predator, Wonder, and The Miracle Season, and for high-profile television series, including The Twilight Zone (2019), The X-Files, Supergirl, and Supernatural, among many others. Over the past 25 years, his photographic assignments have also included wedding, portrait, travel, and editorial photography for personal, news, business, and humanitarian organizations. Robert’s clients have included CBS, Netflix, 20th Century Fox, Warner Bros. Entertainment, The CW Network, B2ten/Active for Life, Fujifilm, the African Lion and Environmental Research Trust, Metro News, and a variety of cable, streaming, and media outlets and production companies. His work has been featured in numerous trade publications, from Entertainment Weekly to the New York Times.


My first exposure to Fujifilm cameras was in 2011, when I purchased the original X100 to take with me to Africa. I wanted something that was small and unobtrusive, yet capable of making outstanding photographs. I was frankly astonished by the image quality that the X100 could produce.
Soon after, I added the X-Pro1 to my kit. I found that the X-Trans CMOS sensor produced files that were lovely, with an organic, film-like quality that’s much better than anything we could have achieved back in the days of 35mm film. In concert with the wonderful Fujinon glass, the combination allowed me to make some of my favorite images. Later, I acquired the X-T1 GSE with its further improved sensor, large viewfinder, and silent operation. It quickly became apparent that the company’s decades of experience manufacturing some of the world’s most acclaimed film emulsions, along with over 70 years designing stellar optics for a variety of commercial and consumer applications, has led to some truly innovative thinking in the development of the X Series.
Most recently I have been shooting with the X-Pro2 and X-T2, both of which build significantly on the foundation that the previous cameras established, and both of which are now my primary choice for all my photography, including when working on film and television sets due to their silent operation, excellent image quality, and good high ISO performance.