FUJIFILM Logo
  • PRODUCTS
    PRODUCTS
    • Browse
      • Cameras
      • Lenses
      • Accessories
      • Software
      • Help Me Choose
    • By System
      • GFX Series
        • Cameras
        • Lenses
      • X Series
        • Cameras
        • Lenses
    • Group Items ( Link disabled )
      • Compare
        • Cameras
      • About Our Technology
        • Film Simulation
        • X-Trans CMOS
    • B2B Customers
      • Digital Imaging Solution
    GFX Series View all
    Cameras Mirrorless Digital Camera
    • GFX100 II
      GFX100 II
    • GFX100S II
      GFX100S II
    • GFX50S II
      GFX50S II
    Fixed Lens Camera
    • GFX100RF
      GFX100RF
    GFX Series View all
    Lenses Prime
    • GF23mmF4 R LM WR
      GF23mmF4 R LM WR
    • GF30mmF3.5 R WR
      GF30mmF3.5 R WR
    • GF45mmF2.8 R WR
      GF45mmF2.8 R WR
    • GF50mmF3.5 R LM WR
      GF50mmF3.5 R LM WR
    • GF55mmF1.7 R WR
      GF55mmF1.7 R WR
    • GF63mmF2.8 R WR
      GF63mmF2.8 R WR
    • GF80mmF1.7 R WR
      GF80mmF1.7 R WR
    • GF110mmF2 R LM WR
      GF110mmF2 R LM WR
    • GF120mmF4 R LM OIS WR Macro
      GF120mmF4 R LM OIS WR Macro
    • GF250mmF4 R LM OIS WR
      GF250mmF4 R LM OIS WR
    • GF500mmF5.6 R LM OIS WR
      GF500mmF5.6 R LM OIS WR
    Zoom
    • GF20-35mmF4 R WR
      GF20-35mmF4 R WR
    • GF32-64mmF4 R LM WR
      GF32-64mmF4 R LM WR
    • GF35-70mmF4.5-5.6 WR
      GF35-70mmF4.5-5.6 WR
    • GF45-100mmF4 R LM OIS WR
      GF45-100mmF4 R LM OIS WR
    • GF100-200mmF5.6 R LM OIS WR
      GF100-200mmF5.6 R LM OIS WR
    Tilt-Shift
    • GF30mmF5.6 T/S
      GF30mmF5.6 T/S
    • GF110mmF5.6 T/S Macro
      GF110mmF5.6 T/S Macro
    Teleconverter
    • GF1.4X TC WR
      GF1.4X TC WR
    X Series View all
    Cameras Mirrorless Digital Camera
    • X-H2S
      X-H2S
    • X-H2
      X-H2
    • X-Pro3
      X-Pro3
    • X-T5
      X-T5
    • X-T4
      X-T4
    • X-S20
      X-S20
    • X-T50
      X-T50
    • X-T30 II
      X-T30 II
    • X-E5
      X-E5
    • X-E4
      X-E4
    • X-M5
      X-M5
    Fixed Lens Camera
    • X100VI
      X100VI
    • X half
      X half
    X Series View all
    Lenses Prime
    • XF8mmF3.5 R WR
      XF8mmF3.5 R WR
    • XF14mmF2.8 R
      XF14mmF2.8 R
    • XF16mmF1.4 R WR
      XF16mmF1.4 R WR
    • XF16mmF2.8 R WR
      XF16mmF2.8 R WR
    • XF18mmF1.4 R LM WR
      XF18mmF1.4 R LM WR
    • XF18mmF2 R
      XF18mmF2 R
    • XF23mmF1.4 R
      XF23mmF1.4 R
    • XF23mmF1.4 R LM WR
      XF23mmF1.4 R LM WR
    • XF23mmF2 R WR
      XF23mmF2 R WR
    • XF23mmF2.8 R WR
      XF23mmF2.8 R WR
    • XF27mmF2.8 R WR
      XF27mmF2.8 R WR
    • XF30mmF2.8 R LM WR Macro
      XF30mmF2.8 R LM WR Macro
    • XF33mmF1.4 R LM WR
      XF33mmF1.4 R LM WR
    • XF35mmF1.4 R
      XF35mmF1.4 R
    • XF35mmF2 R WR
      XF35mmF2 R WR
    • XF50mmF1.0 R WR
      XF50mmF1.0 R WR
    • XF50mmF2 R WR
      XF50mmF2 R WR
    • XF56mmF1.2 R WR
      XF56mmF1.2 R WR
    • XF56mmF1.2 R APD
      XF56mmF1.2 R APD
    • XF60mmF2.4 R Macro
      XF60mmF2.4 R Macro
    • XF80mmF2.8 R LM OIS WR Macro
      XF80mmF2.8 R LM OIS WR Macro
    • XF90mmF2 R LM WR
      XF90mmF2 R LM WR
    • XF200mmF2 R LM OIS WR
      XF200mmF2 R LM OIS WR
    • XF500mmF5.6 R LM OIS WR
      XF500mmF5.6 R LM OIS WR
    • XC35mmF2
      XC35mmF2
    Zoom
    • XF8-16mmF2.8 R LM WR
      XF8-16mmF2.8 R LM WR
    • XF10-24mmF4 R OIS WR
      XF10-24mmF4 R OIS WR
    • XF16-50mmF2.8-4.8 R LM WR
      XF16-50mmF2.8-4.8 R LM WR
    • XF16-55mmF2.8 R LM WR II
      XF16-55mmF2.8 R LM WR II
    • XF16-55mmF2.8 R LM WR
      XF16-55mmF2.8 R LM WR
    • XF16-80mmF4 R OIS WR
      XF16-80mmF4 R OIS WR
    • XF18-55mmF2.8-4 R LM OIS
      XF18-55mmF2.8-4 R LM OIS
    • XF18-120mmF4 LM PZ WR
      XF18-120mmF4 LM PZ WR
    • XF18-135mmF3.5-5.6 R LM OIS WR
      XF18-135mmF3.5-5.6 R LM OIS WR
    • XF50-140mmF2.8 R LM OIS WR
      XF50-140mmF2.8 R LM OIS WR
    • XF55-200mmF3.5-4.8 R LM OIS
      XF55-200mmF3.5-4.8 R LM OIS
    • XF70-300mmF4-5.6 R LM OIS WR
      XF70-300mmF4-5.6 R LM OIS WR
    • XF100-400mmF4.5-5.6 R LM OIS WR
      XF100-400mmF4.5-5.6 R LM OIS WR
    • XF150-600mmF5.6-8 R LM OIS WR
      XF150-600mmF5.6-8 R LM OIS WR
    • XC15-45mmF3.5-5.6 OIS PZ
      XC15-45mmF3.5-5.6 OIS PZ
    • XC50-230mmF4.5-6.7 OIS II
      XC50-230mmF4.5-6.7 OIS II
    Teleconverter
    • XF1.4X TC WR
      XF1.4X TC WR
    • XF2X TC WR
      XF2X TC WR
    Cine
    • MKX18-55mmT2.9
      MKX18-55mmT2.9
    • MKX50-135mmT2.9
      MKX50-135mmT2.9
  • Support
    SUPPORT
    • Downloads
      • Firmware
      • Software
      • LUT
    • Manuals
      • Cameras
      • Lenses
      • Accessories
      • Software
    • Compatibility
      • Cameras
      • Lenses
      • Accessories
      • Software
    • More Links
      • FAQ
      • FUJIFILM Service Centre
      • FUJIFILM X | GFX Members
      • FUJIFILM Professional Services (FPS)
  • News
  • Events
  • Promotions
  • Shop
  • X-Photographers
    • Galleries
    • Photographer
  • X Stories
    • X Stories
    • Learning Centre
©FUJIFILM Corporation.

Learning Centre

  • twitter
  • facebook
© Patricia Davidson

> 4 minute read

The Golden Hour and Blue Hour

The golden hour and blue hour are some of the best times to be outside with your camera, especially when you’re on holiday. But they don’t last for long, so you’ll need to be prepared. Here’s how to make this light work for you.

You’ve probably noticed how amazing the light looks towards the start and end of the day. You may even have heard photographers referring to magical times like ‘the golden hour’ and ‘the blue hour’ as being the best times to be outdoors with a camera – not only when framing landscapes, but also for portraits and details, too.

  • The golden hour refers to the time just before sunset (or just after sunrise) when the sun is low down in the sky. The light is much warmer and more directional, so it picks out details in the landscape better.
  • The blue hour, on the other hand, occurs just after sunset (or just before sunrise) when the sun is only just below the horizon. The sky takes on an inky blue colour, against which the bright lights of a city look amazing.

Let’s have a look at which subjects look good in these conditions and how best to photograph at these times.

The Golden Hour

The light of the golden hour is not as bright as that of the midday sun, but it’s still bright enough to photograph handheld. The warmer, softer light will give your subject’s skin a wonderful glow, which is why it’s the perfect time to create individual or group portraits of family and friends who you’re away with – they’ll definitely thank you for it! Opening up your lens’s aperture will help get in enough light to give you the fast shutter speed you need, and it will also create gorgeous out-of-focus regions behind your subject that will really make them ‘pop’ off the background.

© Xing Liu

© Xing Liu

The golden hour is also good for landscape photography. Don’t make the mistake of thinking you have to photograph into the setting/rising sun; look behind you and you’ll see the scenery that’s bathed with the golden light from the sun looks amazing, too. Bear in mind that the light levels will be dropping, and you might want to use a smaller aperture for front-to-back sharpness, so you’ll either need to raise the ISO sensitivity or, better still, use a tripod. You can make a picture without wobbling the camera by using its self-timer, or the remote shooting function on the FUJIFILM Camera Remote smartphone app.

A word about white balance here: Auto White Balance (AWB) may try to correct for the orange glow of golden hour and make it look like regular daylight. If this happens, try one of the white balance presets such as Daylight or Shade instead. This will preserve the warmth of the ambient light.

The Blue Hour

Unlike the golden hour, the blue hour doesn’t actually last for very long at all – certainly not 60 minutes! This means you need to be super prepared in order not to miss the photo; planning is vital.

© Elia Locardi

If you want to photograph a specific landmark, you can use online tools like Google Maps to work out where you need to stand and in which direction the sun will have set. It’s also worth doing a preliminary trip in daylight to make sure you know what the view will look like when the sun goes down.

Blue hour is nowhere near as bright as the golden hour, so you’ll need to use a tripod to get the very best images. Again, use a two-second self-timer or the FUJIFILM Camera Remote app to make pictures without wobbling the camera and causing blur.

It’s also a good idea to bracket your exposures when you’re photographing in the blue hour, and to shoot Raw files that give you more flexibility to lighten and darken different parts of the picture selectively in post-production. You can bracket yourself by turning the exposure compensation dial, by adjusting the shutter speed and aperture manually, or you can use your camera’s auto bracketing function, which makes the whole job a lot easier.

+1 EV

0 EV

-1 EV

As with the golden hour, try using a white balance preset, such as Daylight or Shade, if you find that your camera’s Auto White Balance setting is correcting for the blue light in the sky.

Your Next Steps

  • CHALLENGE We want to see your best golden-hour and blue-hour pictures. Post them to social media with the hashtags #learnwithfujifilm. You can also submit your work here for a chance to be featured on our social media channels.

Also Try...

Using Negative Space

Which GFX Camera Body Is Right for You?

Specialised for different photographers’ needs, how do GFX bodies compare?

Three Ways to Improve Exposure on Moving Subjects

Discover some FUJIFILM X Series camera tricks to help you create great sports and action images

  • Products
    • Cameras
    • Lenses
    • Accessories
    • Software
    • Help Me Choose
  • Support
    • Download
    • Manual
    • Compatibility
    • FAQ
    • FUJIFILM X | GFX Members
    • FUJIFILM Professional Services (FPS)
    • Product Security Information
  • More
    • X-Photographers
    • X Stories
    • Learning Centre
    • Events
    • News
    • Promotions
    • Shop
Follow Us
  • UK
  • Global
FUJIFILM ©FUJIFILM Corporation.
  • Contact
  • Privacy Policy
  • Terms of Use
  • Cookie Settings
Select Your Country Or Region
  • America
    • pt-br

      Brazil

    • en-ca

      Canada

      • English
      • French
    • en-us

      USA

  • Asia Pacific
    • zh-cn

      China

    • en-in

      India

    • id-id

      Indonesia

    • ja-jp

      Japan

    • ko-kr

      Korea

    • en-my

      Malaysia

    • en-ph

      Philippines

    • en-sg

      Singapore

    • th-th

      Thailand

    • vi-vn

      Vietnam

  • Europe
    • de-at

      Austria

    • fr-be

      Belgium

      • Dutch
      • French
    • hr-hr

      Croatia

    • cs-cz

      Czechia

    • da-dk

      Denmark

    • et-ee

      Estonia

    • fi-fi

      Finland

    • fr-fr

      France

    • de-de

      Germany

    • el-gr

      Greece

    • hu-hu

      Hungary

    • is-is

      Iceland

    • en-ie

      Ireland

    • it-it

      Italy

    • lv-lv

      Latvia

    • lt-lt

      Lithuania

    • nl-nl

      Netherlands

    • no-no

      Norway

    • pl-pl

      Poland

    • pt-pt

      Portugal

    • ro-ro

      Romania

    • ru-ru

      Russia

    • sk-sk

      Slovakia

    • sl-si

      Slovenia

    • es-es

      Spain

    • sv-se

      Sweden

    • fr-ch

      Switzerland

      • French
      • German
    • tr-tr

      Turkey

    • en-gb

      UK

    • uk-ua

      Ukraine

  • Oceania
    • en-au

      Australia

    • en-nz

      New Zealand

  • Other
    • global

      Global